No. 22 (2022)

Special

Film Festivals and Ideology Critique: A Method

Rachel Johnson

7-24
- HTML
- PDF
Reframing Film Festivals: Politics, Histories and Agencies

Marco Dalla Gassa, Andrea Gelardi, Federico Zecca

1-6
- HTML
- PDF
From Music to Film: On the Emergence and Stabilization of the Film Festival Concept in the 1930s

Christel Taillibert, John Wäfler

25-40
- HTML
- PDF
Between Politics and Economics: The Locarno Film Festival from Tourism to Cinephilia (1946-1972)

Cyril Cordoba

41-53
- HTML
- PDF
The Cinematic Battle for the Adriatic: Film Festivals and the Trieste Crisis

Dunja Jelenkovic

55-68
- HTML
- PDF
Films from Countries in Crisis and Switzerland: The New Argentine Cinema, Greek New Wave and Swiss Film Institutions

Konstantinos Tzouflas

69-82
- HTML
- PDF
Film Festivals and Ecological Sustainability in the Age of the Anthropocene

Laura Cesaro

83-96
- HTML
- PDF
Who’s Choice? Who’s Voice? Can Festival Programmers and Film Critics Stand Away from the Market Diktats but not from Societal Issues?

Jean-Michel Frodon

97-103
- HTML
- PDF

Miscellanea

The Belle Époque of Scientific Cinema: Attraction, Vulgarisation, Avant-garde

Maria Ida Bernabei

105-125
- HTML (Italiano)
- PDF (Italiano)
Olive Face, Italian Voice: Constructing Super Mario as an Italian-American (1981–1996)

Marco Benoît Carbone

127-144
- HTML
- PDF
“Il primo film tutto parlato in italiano”. The Debate on Sei tu l'amore? in Magazines

Denis Lotti

145-160
- HTML (Italiano)
- PDF (Italiano)
Early 1980s: Phototeca and Racist Visual Practices in Italian Colonialism

Giovanni Perillo

161-172
- HTML (Italiano)
- PDF (Italiano)
Applying Automatic Text Analysis Methodologies to Audiovisual Serial Product

Marta Rocchi

173-187
- HTML
- PDF
Hermeneutics of the Cinematic Autobiopic: The Charlie Kaufman Case

Bruno Surace

189-199
- HTML (Italiano)
- PDF (Italiano)

Reviews

Venice Immersive. 79a Mostra Internazionale d’Arte Cinematografica di Venezia

Alberto Brodesco

201-202
- HTML (Italiano)
- PDF (Italiano)
Magia violenta e vento tra le barbe. Sicilia Queer Film Festival 2022

Eleonora Santamaria

203-205
- HTML (Italiano)
- PDF (Italiano)
Entra nei miei sogni. Giancarlo Grossi, La notte dei simulacri. Sogno, cinema, realtà virtuale, Johan & Levy, Monza 2021

Giulia Andreini

207-209
- HTML (Italiano)
- PDF (Italiano)
Media-azioni nella geografia. Marcello Tanca, Geografia della fiction: opera, film, canzone, fumetto, Franco Angeli, Milano 2020

Luca Bertoloni

211-213
- HTML (Italiano)
- PDF (Italiano)
Teorie e diacronie del documentario animato. Cristina Formenti, The Classical Animated Documentary and Its Contemporary Evolution, Bloomsbury Academic, New York-London-Dublin 2022

Massimo Bonura

215-216
- HTML (Italiano)
- PDF (Italiano)
Media panottici e video-sorveglianza. Laura Cesaro, Geografie del controllo nella scena audiovisiva contemporanea, Bulzoni, Roma 2022

Rossella Catanese

217-219
- HTML (Italiano)
- PDF (Italiano)
Schermi femministi. Dalila Missero, Women, Feminism and Italian Cinema: Archives from a Film Culture, Edinburgh University Press, Edinburgh 2022

Ilaria Antonella De Pascalis

221-223
- HTML (Italiano)
- PDF (Italiano)
Attorno e oltre la Loggia. Mario Tirino e Adolfo Fattori (a cura di), Black Lodge. Fenomenologia di Twin Peaks, Avanguardia 21 Edizioni, Sermoneta (LT) 2021

Emiliano Rossi

225-227
- HTML (Italiano)
- PDF (Italiano)

Special

Film Festivals and Ideology Critique: A Method

Reframing Film Festivals: Politics, Histories and Agencies

From Music to Film: On the Emergence and Stabilization of the Film Festival Concept in the 1930s

Between Politics and Economics: The Locarno Film Festival from Tourism to Cinephilia (1946-1972)

The Cinematic Battle for the Adriatic: Film Festivals and the Trieste Crisis

Films from Countries in Crisis and Switzerland: The New Argentine Cinema, Greek New Wave and Swiss Film Institutions

Film Festivals and Ecological Sustainability in the Age of the Anthropocene

Who’s Choice? Who’s Voice? Can Festival Programmers and Film Critics Stand Away from the Market Diktats but not from Societal Issues?

Miscellanea

The Belle Époque of Scientific Cinema: Attraction, Vulgarisation, Avant-garde

Olive Face, Italian Voice: Constructing Super Mario as an Italian-American (1981–1996)

“Il primo film tutto parlato in italiano”. The Debate on Sei tu l'amore? in Magazines

Early 1980s: Phototeca and Racist Visual Practices in Italian Colonialism

Applying Automatic Text Analysis Methodologies to Audiovisual Serial Product

Hermeneutics of the Cinematic Autobiopic: The Charlie Kaufman Case

Reviews

Venice Immersive. 79a Mostra Internazionale d’Arte Cinematografica di Venezia

Magia violenta e vento tra le barbe. Sicilia Queer Film Festival 2022

Entra nei miei sogni. Giancarlo Grossi, La notte dei simulacri. Sogno, cinema, realtà virtuale, Johan & Levy, Monza 2021

Media-azioni nella geografia. Marcello Tanca, Geografia della fiction: opera, film, canzone, fumetto, Franco Angeli, Milano 2020

Teorie e diacronie del documentario animato. Cristina Formenti, The Classical Animated Documentary and Its Contemporary Evolution, Bloomsbury Academic, New York-London-Dublin 2022

Media panottici e video-sorveglianza. Laura Cesaro, Geografie del controllo nella scena audiovisiva contemporanea, Bulzoni, Roma 2022

Schermi femministi. Dalila Missero, Women, Feminism and Italian Cinema: Archives from a Film Culture, Edinburgh University Press, Edinburgh 2022

Attorno e oltre la Loggia. Mario Tirino e Adolfo Fattori (a cura di), Black Lodge. Fenomenologia di Twin Peaks, Avanguardia 21 Edizioni, Sermoneta (LT) 2021

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