No. 27 (2025)

Special

Introduction: From Séance to Screen: Media, Ghosts, and the Spectral Imagination

Massimo Fusillo, Mirko Lino

1-5
- HTML
- PDF
To Vanish, to Return, to Withdraw: Ghostly Motions of Digital Visuality and the Self

Luca Malavasi

7-19
- HTML (Italiano)
- PDF (Italiano)
Decomposing Light into Spectra: Nineteenth-Century Spectroscopy as a Cultural Technique

Matteo Citrini

21-35
- HTML
- PDF
Ghost in the Machine: Daily Interaction with Ephemeral Computing

Sofia Pirandello

37-46
- HTML
- PDF
Spectromedial Archaeologies: Bringing the Specters of the Past Back to Listening and Seeing in Para One's Spectre Trilogy

Martina Tassone

47-60
- HTML (Italiano)
- PDF (Italiano)
Spectres of the Imagination: A Post-Phenomenological Perspective on the Filmic Image and its Uses

Dario Cecchi

61-69
- HTML
- PDF
The Political Asleep: Non-Traumatic Spectrality in Apichatpong Weerasethakul’s Cemetery of Splendour

Marco Grosoli

71-85
- HTML
- PDF
Specters from 1987: Retromaniac Queer Loneliness in Andrew Haigh’s Estranei (All of Us Strangers, 2023)

Antonio Angelozzi

87-97
- HTML (Italiano)
- PDF (Italiano)
Between the Mediatic and the Mediumistic: Haunted Media in Contemporary Horror Cinema

Bruno Surace

99-112
- HTML
- PDF
Ghosts of our Lives: a Hauntological Reading of Multiverse Fiction in Contemporary Verbo-Visual Media

Giorgio Busi Rizzi, Lorenzo Di Paola

113-127
- HTML
- PDF
«Beltà, poi che t’assenti»: Milva, from Madrigals to Ghosts, in Gesualdo – Death for Five Voices by Werner Herzog

Massimo Fusillo, Mirko Lino

129-138
- HTML
- PDF

Miscellanea

Epic of Normality and Media Nostalgia in Hanno ucciso l'uomo ragno (2024-): Forms of Audiovisual, Transmedia and Serial Visibility of the Italian Pop Music Biopic

Luca Bertoloni

139-153
- HTML (Italiano)
- PDF (Italiano)
Decoding a Huge Success: the Two Faces of C’è ancora domani (There’s Still Tomorrow)

Marco Cucco, Raoul Spiccia

155-171
- HTML (Italiano)
- PDF (Italiano)
Negotiating Film Culture: at the Origins of Einaudi’s Publications on Cinema (1948-1952)

Marco De Cristofaro

173-186
- HTML
- PDF
"Movies $3 Million Italian Doll": Sophia Loren at Hollywood (1957-1960)

Alberto Scandola

187-200
- HTML (Italiano)
- PDF (Italiano)

Special

Introduction: From Séance to Screen: Media, Ghosts, and the Spectral Imagination

To Vanish, to Return, to Withdraw: Ghostly Motions of Digital Visuality and the Self

Decomposing Light into Spectra: Nineteenth-Century Spectroscopy as a Cultural Technique

Ghost in the Machine: Daily Interaction with Ephemeral Computing

Spectromedial Archaeologies: Bringing the Specters of the Past Back to Listening and Seeing in Para One's Spectre Trilogy

Spectres of the Imagination: A Post-Phenomenological Perspective on the Filmic Image and its Uses

The Political Asleep: Non-Traumatic Spectrality in Apichatpong Weerasethakul’s Cemetery of Splendour

Specters from 1987: Retromaniac Queer Loneliness in Andrew Haigh’s Estranei (All of Us Strangers, 2023)

Between the Mediatic and the Mediumistic: Haunted Media in Contemporary Horror Cinema

Ghosts of our Lives: a Hauntological Reading of Multiverse Fiction in Contemporary Verbo-Visual Media

«Beltà, poi che t’assenti»: Milva, from Madrigals to Ghosts, in Gesualdo – Death for Five Voices by Werner Herzog

Miscellanea

Epic of Normality and Media Nostalgia in Hanno ucciso l'uomo ragno (2024-): Forms of Audiovisual, Transmedia and Serial Visibility of the Italian Pop Music Biopic

Decoding a Huge Success: the Two Faces of C’è ancora domani (There’s Still Tomorrow)

Negotiating Film Culture: at the Origins of Einaudi’s Publications on Cinema (1948-1952)

"Movies $3 Million Italian Doll": Sophia Loren at Hollywood (1957-1960)

Reviews

Corpi divi, corpi sociali. Federico Vitella, Maggiorate. Divismo e celebrità nella nuova Italia, Marsilio, Venezia 2024

Immaginario partenopeo. Lucia Di Girolamo, Visioni a Sud. La narrazione audiovisiva della Campania: sguardi turistici e idee di sostenibilità, Liguori, Napoli 2024

Istantanee d’Archivio. Enrico Gheller, Sara Tongiani, Album Casiraghi. Diario fotografico di un critico, Quarup, Pescara 2025

Sul concetto di Street Photography. Lorenzo Marmo, Street Photography. La modernità, New York, il cinema, Mimesis, Milano-Udine 2024

L’horror come forma mentis. Pier Maria Bocchi, So cosa hai fatto. Scenari, pratiche e sentimenti dell’horror moderno, Lindau, Torino 2024

Immaginare il Moloch. Ivo Blom, Quo Vadis?, Cabiria and the “Archaeologists”. Early Italian Cinema’s Appropriation of Art and Archaeology, Kaplan, Torino 2023

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