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No. 22 (2022)
No. 22 (2022)
DOI:
https://doi.org/10.6092/issn.2280-9481/v11-n22-2022
Published:
2022-12-22
Special
Film Festivals and Ideology Critique: A Method
Rachel Johnson
7-24
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Reframing Film Festivals: Politics, Histories and Agencies
Marco Dalla Gassa, Andrea Gelardi, Federico Zecca
1-6
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From Music to Film: On the Emergence and Stabilization of the Film Festival Concept in the 1930s
Christel Taillibert, John Wäfler
25-40
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Between Politics and Economics: The Locarno Film Festival from Tourism to Cinephilia (1946-1972)
Cyril Cordoba
41-53
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The Cinematic Battle for the Adriatic: Film Festivals and the Trieste Crisis
Dunja Jelenkovic
55-68
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Films from Countries in Crisis and Switzerland: The
New Argentine Cinema
,
Greek New Wave
and Swiss Film Institutions
Konstantinos Tzouflas
69-82
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Film Festivals and Ecological Sustainability in the Age of the Anthropocene
Laura Cesaro
83-96
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Who’s Choice? Who’s Voice? Can Festival Programmers and Film Critics Stand Away from the Market Diktats but not from Societal Issues?
Jean-Michel Frodon
97-103
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Miscellanea
The
Belle Époque
of Scientific Cinema: Attraction, Vulgarisation, Avant-garde
Maria Ida Bernabei
105-125
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Olive Face, Italian Voice: Constructing Super Mario as an Italian-American (1981–1996)
Marco Benoît Carbone
127-144
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“Il primo film tutto parlato in italiano”. The Debate on
Sei tu l'amore?
in Magazines
Denis Lotti
145-160
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Early 1980s:
Phototeca
and Racist Visual Practices in Italian Colonialism
Giovanni Perillo
161-172
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Applying Automatic Text Analysis Methodologies to Audiovisual Serial Product
Marta Rocchi
173-187
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Hermeneutics of the Cinematic Autobiopic: The Charlie Kaufman Case
Bruno Surace
189-199
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Reviews
Venice Immersive. 79a Mostra Internazionale d’Arte Cinematografica di Venezia
Alberto Brodesco
201-202
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Magia violenta e vento tra le barbe. Sicilia Queer Film Festival 2022
Eleonora Santamaria
203-205
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Entra nei miei sogni. Giancarlo Grossi,
La notte dei simulacri. Sogno, cinema, realtà virtuale
, Johan & Levy, Monza 2021
Giulia Andreini
207-209
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Media-azioni nella geografia. Marcello Tanca,
Geografia della fiction: opera, film, canzone, fumetto
, Franco Angeli, Milano 2020
Luca Bertoloni
211-213
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Teorie e diacronie del documentario animato. Cristina Formenti,
The Classical Animated Documentary and Its Contemporary Evolution
, Bloomsbury Academic, New York-London-Dublin 2022
Massimo Bonura
215-216
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Media panottici e video-sorveglianza. Laura Cesaro,
Geografie del controllo nella scena audiovisiva contemporanea
, Bulzoni, Roma 2022
Rossella Catanese
217-219
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Schermi femministi. Dalila Missero,
Women, Feminism and Italian Cinema: Archives from a Film Culture
, Edinburgh University Press, Edinburgh 2022
Ilaria Antonella De Pascalis
221-223
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Attorno e oltre la Loggia. Mario Tirino e Adolfo Fattori (a cura di),
Black Lodge. Fenomenologia di Twin Peaks
, Avanguardia 21 Edizioni, Sermoneta (LT) 2021
Emiliano Rossi
225-227
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