Skip to main content
Skip to main navigation menu
Skip to site footer
Open Menu
Current
Archives
Cinergie Old Series - 1999-2011
Announcements
About
About the Journal
Submissions
Editorial Team
Scientific Committee
Privacy Statement
Contact
Search
Register
Login
Home
/
Archives
/
No. 20 (2021)
No. 20 (2021)
DOI:
https://doi.org/10.6092/issn.2280-9481/v-n20-2021
Published:
2021-12-20
Special
Introduction: Film Heritage and Digital Scholarship - Computer-Based Approaches to Film Archiving, Restoration and Philology
Rossella Catanese, Adelheid Heftberger, Christian Gosvig Olesen
1-6
HTML
PDF
Comparative Analysis of Colour Film Style by Computational Means
Olivia Kristina Stutz
7-25
HTML
PDF
The Digital Witness: Film Reconstruction and the Forensic Imagination in New Media Environments
Serena Bellotti, Andrea Mariani
27-43
HTML
PDF
From Edge to Edge: The Restoration of
La battaglia dall’Astico al Piave
(1918) and the Search for a Digital Historical-Critical Infrastructure
Simone Venturini
45-68
HTML
PDF
FiRe2: a Call for a Film Repository of Technical Data and Memories for Photo and Movie Restoration
Alice Plutino, Arianna Crespi, Giulia Morabito, Beatrice Sarti, Alessandro Rizzi
69-83
HTML
PDF
Website for Cesare Zavattini’s Works: Digitizing and Dynamizing a Personal Audiovisual Archive
Nicola Dusi, Antonella Capalbi, Maria Doina Mareggini, Mauro Salvador
85-95
HTML
PDF
Watching Historical Films Through AI: Reflections on Image Retrieval from Heritage Collections
Beatriz Tadeo Fuica, Olivier Buisson, Claude Mussou
97-112
HTML
PDF
Digital Picklock for Video Art Exgesis: Reflections, Conditions and Possible Employment of Distant Viewing to Moving Image Datasets in Visual Arts Scholarship
Diego Mantoan
113-123
HTML
PDF
Indeterminable Frames: Exploring Digital Humanities Approaches and Applications for the Moving Image
Patricia Ledesma Villon
125-138
HTML
PDF
Miscellanea
Saturday Night Candidates: Comedic Brands on
Saturday Night Live
During the 2016 Presidential Election
Matteo Marinello
139-151
HTML
PDF
The Throbbing Eye: Monica Vitti's Writings on Art
Giulia Simi
153-166
HTML (Italiano)
PDF (Italiano)
Orson Welles and the Directors Company: a Maestro inside the New Hollywood
Massimiliano Studer
167-175
HTML (Italiano)
PDF (Italiano)
Reviews
Prime influenze cinematografiche tra Stati Uniti e Italia. Federico Di Chio,
Il cinema americano in Italia. Industria, società, immaginari dalle origini alla Seconda Guerra Mondiale
, Vita e Pensiero, Milano 2021
Massimo Bonura
177-178
HTML (Italiano)
PDF (Italiano)
La voce dei dispositivi. Ruggero Eugeni,
Capitale algoritmico. Cinque dispositivi postmediali (più uno)
, Scholé Morcelliana, Brescia 2021
Lorenzo Denicolai
179-181
HTML (Italiano)
PDF (Italiano)
Dal controllo alla caduta. Tomaso Subini,
La via italiana alla pornografia. Cattolicesimo, sessualità e cinema (1948-1986)
, Le Monnier, Firenze 2021
Gabriele Landrini
183-185
HTML (Italiano)
PDF (Italiano)
Mappare la mascolinità. Gabriele Rigola,
Homo Eroticus. Cinema, identità maschile e società italiana nella rivista Playmen
, Rubbettino, Soveria Mannelli (CZ) 2021
Sofia Torre
187-189
HTML (Italiano)
PDF (Italiano)
Maschere su maschere. La Realtà Virtuale alla 78a Mostra del cinema di Venezia
Alberto Brodesco
191-192
HTML (Italiano)
PDF (Italiano)
Sicilia Queer 2021 International New Visions FilmFest, 11 edizione
Marco Grifò
193-195
HTML (Italiano)
PDF (Italiano)
Language
English
Italiano
Information
For Readers
For Authors
For Librarians
Make a Submission
Make a Submission
Keywords
Current Issue
↑
Back to top
