Cinergie is an open-access, peer-reviewed, class-A journal. Its first on-line issue first appeared in 2012, but the journal has been published in hard copy since 1999. Cinergie is a wide-ranging film journal, that aims to publish original articles about national and international cinema, building a bridge to related fields.
We publish two issues per year, in Summer and in Winter. In each issue, at least half of the essays answer a call for papers, and focus on a single topic.
ISSN 2280-9481
Announcements
Call for Papers – Unstable Images and Shifting Histories: Photography, Anthropology, Cinema |
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Edited by Dr. Hanin Hannouch (Kunsthistorisches Insitut in Florenz, Max-Planck-Institut) Deadlines:
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| Posted: 2019-11-08 | More... |
Notice to Readers and Authors |
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Cinergie – il cinema e le altre arti, starting from issue 15, will merge its permanent sections (Under Analysis, Cinema and Visual Arts, Television and New Media Studies, Camera Stylo e Global Film Cultures) into a new single section, named Miscellanea. The Aims and Scopes of the journal and the submission process remain unchanged, as described in the policies. |
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| Posted: 2019-07-16 | |
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No 16 (2019)
Table of Contents
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The Migrant as an Eye/I. Transculturality, Self-Representation, Audiovisual Practices
Alice Cati, Mariagiulia Grassilli
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1-11
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Special
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Manthia Diawara’s Strategic Ruminations on Migration and the Conundrums of Cinematic Autoethnography
Julia Watson
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13-25
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Raffaele Pavoni
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27-38
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Laura Busetta
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39-50
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Federica Stevanin
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51-60
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Paola Valenti
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61-77
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Nicola Dusi, Damiano Razzoli
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79-93
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Samuel Antichi
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95-103
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Anna Marta Marini
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105-114
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Samuel Fernández-Pichel
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115-124
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Valentina Ippolito
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125-136
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Miscellanea
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September Liu
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137-149
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Cristina Casero
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151-162
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Giorgio Avezzù
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163-180
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Massimiliano Studer
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181-195
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Marco Dalla Gassa, Stefano Pellò
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197-205
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Reviews
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The Electra Complex: Dj Spooky interview with Angela Dalle Vacche
Angela Dalle Vacche
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207-210
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In conflitto. Osservazioni erranti sul VR al Lazzaretto Vecchio 76. Mostra Internazionale d’Arte Cinematografica di Venezia
Alberto Brodesco
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211-213
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Cineaste ritrovate a Cinema Rediscovered, Bristol, 25-28 luglio 2019
Chiara Checcaglini
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215-216
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Redupers o non riduciamo la cineasta (o meglio la donna) a donna. Trent’anni di cinema tedesco al femminile
Cinzia Cattin
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217-224
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Cartografie identitarie e ansie transnazionali. Áine O’Healy, Migrant Anxieties. Italian Cinema in a Transnational Frame, Bloomington: Indiana University Press 2019
Rossella Catanese
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225-228
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Massimo Fusillo, L’immaginario polimorfico fra letteratura, teatro e cinema, Cosenza, Luigi Pellegrini Editore, 2018
Giovanna Santaera
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229-231
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Rianimare il Postmoderno. Luca Malavasi, Postmoderno e cinema. Nuove prospettive di analisi, Carocci, Roma 2017
Mirko Lino
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233-235
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Il cinema è morto. Evviva il cinema! Daniele Dottorini, La passione del reale. Il documentario o la creazione del mondo, Mimesis, Milano-Udine 2018
Anna Masecchia
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237-239
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