Cinergie – Il Cinema e le altre Arti

Cinergie – ISSN 2280-9481 is an open-access, peer-reviewed, class-A journal. Its first on-line issue first appeared in 2012, but the journal has been published in hard copy since 1999. Cinergie is a wide-ranging film journal, that aims to publish original articles about national and international cinema, building a bridge to related fields.

Cinergie is an open-access, peer-reviewed, class-A journal. Its first on-line issue first appeared in 2012, but the journal has been published in hard copy since 1999. Cinergie is a wide-ranging film journal, that aims to publish original articles about national and international cinema, building a bridge to related fields.
We publish two issues per year, in Summer and in Winter. In each issue, at least half of the essays answer a call for papers, and focus on a single topic.

ISSN 2280-9481

Announcements

 

Call for Papers – Immersive Stories. Virtual Reality, Post-Cinema and Storytelling

 

Edited by Simone Arcagni (Università degli Studi di Palermo) and Adriano D’Aloia (Università degli Studi della Campania “Luigi Vanvitelli”)

Deadlines:

  • Submission of proposals: October 25, 2020
  • Submission of full articles: January 15, 2021
  • Publication: July 2021
 
Posted: 2020-07-30 More...
 
More Announcements...

No 17 (2020)

Table of Contents

Special

Destabilizing Histories: (Re-)appropriation in Photography and Cinema
Hanin Hannouch
1-5
Eduardo Morettin
7-17
Maria Gourieva
19-30
Juan Carlos Guerrero-Hernández
31-42
Mariana Martínez Bonilla
43-51
Paola Prestes Penney
53-72
Hossein (Hemen) Heidari
73-85
Damini Rajendra Kulkarni
87-96
Giuseppe Previtali
97-108
Cecilia Järdemar
109-122
Human Remains and the Limits of Artistic Re-Appropriation in Photography and Film: Interview with Artist Tal Adler and Curator Anna Szöke
Hanin Hannouch
123-131

Miscellanea

Luca Antoniazzi, Luca Barra
133-146
Paola Brembilla, Lucio Spaziante
147-161
Roberto Cappai
163-172
Antoine Prévost-Balga
173-182

Reviews

Fluid Boundaries. 57th New York Film Festival 2019
Angela Dalle Vacche
183-184
Un grande individualista a Hollywood. Il cinema di King Vidor. Berlinale 2020. 70°Internationale Filmfestspiele Berlin
Cinzia Cattin
185-194
Affetti sonori. Antonio Iannotta, Il cinema audiotattile. Suono e immagine nell’esperienza filmica, Mimesis, Milano-Udine 2017
Simone Dotto
195-197
La galassia amatoriale. Dal cinema ai media digitali. Susan Aasman, Annamaria Motrescu-Mayes, Amateur Media and Participatory Cultures: Film, Video, and Digital Media, Routledge, London-NY 2019
Diego Cavallotti
199-201
L’omosessualità e il cinema italiano. Mauro Giori, Omosessualità e cinema italiano. Dalla caduta del fascismo agli anni di piombo, UTET Università, Torino 2019
Gabriele Rigola
203-205
Un’esplosione di punti di vista. Massimo Scaglioni (ed.), Appassionati dissodatori. Storia e storiografia della televisione in Italia, Vita e Pensiero, Milano 2019
Gianluigi Rossini
207-209
Espressione, tecnica, imaging. Barbara Grespi, Figure del corpo. Gesto e immagine in movimento, Meltemi, Milano 2019
Greta Plaitano
211-213