Cinergie – Il Cinema e le altre Arti

Cinergie – ISSN 2280-9481 is an open-access, peer-reviewed, class-A journal. Its first on-line issue first appeared in 2012, but the journal has been published in hard copy since 1999. Cinergie is a wide-ranging film journal, that aims to publish original articles about national and international cinema, building a bridge to related fields.

Cinergie is an open-access, peer-reviewed, class-A journal. Its first on-line issue first appeared in 2012, but the journal has been published in hard copy since 1999. Cinergie is a wide-ranging film journal, that aims to publish original articles about national and international cinema, building a bridge to related fields.
We publish two issues per year, in Summer and in Winter. In each issue, at least half of the essays answer a call for papers, and focus on a single topic. The other articles are divided among sections devoted to different themes, highlighting the multidisciplinary approach of our project.

ISSN 2280-9481

Announcements

 

Call for papers – Writing Space with Moving Images: Exhibition, Museum and Urban Itineraries (update)

 

Deadline Extension: April 15, 2018

Edited by Francesco Federici (Università Iuav di Venezia)/Elisa Mandelli (Link Campus University)

Deadlines:

  • Submission of proposals: April 15, 2018
  • Acceptance notified by: April 18, 2018
  • Submission of full articles: June 30, 2018
  • Publication: December 2018
 
Posted: 2018-03-30 More...
 

Cinergie – Submissions

 

Cinergie Editorial Team is pleased to announce that the call for submissions of articles is now open! In order to correctly submit your articles, you have to register as an Author on our website. Once you are logged in, you will be able to submit your article directly within our website. Please read the Author guidelines and the Editorial Policies.

 
Posted: 2018-03-01
 
More Announcements...

No 13 (2018)

Table of Contents

Special

And Now For Something (Not) Completely Different: approcci videografici allo studio e all’analisi del film
Chiara Grizzaffi
1-6
Nicola Dusi, Lucio Spaziante
7-19
Catherine Grant
21-29
Andrea Minuz
31-36
Emilio Audissino
37-46
Valerio Sbravatti
47-52
Gabriele Gimmelli, Andrea Miele
53-57
Maria Teresa Soldani
59-65
Riccardo Fassone
67-76
Raffaele Pavoni
77-87

Caméra Stylo

Valentina Domenici
89-96

Cinema and Visual Arts

Dorothea Burato
97-119
Fabio Cassano
121-136

Eastern/Western

Matteo Boscarol
137-144

Under Analysis

Marco Zilioli
145-154
Luigi Allegri
155-159

Reviews

Berlinale 2018. 68° Internationale Filmfestspiele Berlin. Il cinema di Weimar revisited
Cinzia Cattin
161-163
64. Internationale Kurzfilmtage di Oberhausen. Cortometraggi d’autore
Elena Marcheschi
165-167
American Neorealism? Sean Baker’s The Florida Project
Angela Dalle Vacche
169-171
Berlinale 2018 - 68° Internationale Filmfestspiele Berlin. Addosso ai personaggi
Leonardo Quaresima
173-176
74° edizione della Mostra Internazionale di Venezia. L’assenzio e il collage
Francesco Pitassio
177-180
Teorie del Cinema: Il Dibattito Contemporaneo, a cura di Adriano D’Aloia e Ruggero Eugeni, Milano, Raffaello Cortina Editore, 2017
Francesco Sticchi
181-186
Da Venezia 2018 all’impronta sulla stagione successiva. Un piccolo bilancio critico
Roy Menarini, Alice Autelitano
187-188