Cinergie – ISSN 2280-9481 is an open-access, peer-reviewed, class-A journal. Its first on-line issue first appeared in 2012, but the journal has been published in hard copy since 1999. Cinergie is a wide-ranging film journal, that aims to publish original articles about national and international cinema, building a bridge to related fields.
Cinergie is an open-access, peer-reviewed, class-A journal. Its first on-line issue first appeared in 2012, but the journal has been published in hard copy since 1999. Cinergie is a wide-ranging film journal, that aims to publish original articles about national and international cinema, building a bridge to related fields.
We publish two issues per year, in Summer and in Winter. In each issue, at least half of the essays answer a call for papers, and focus on a single topic.
ISSN 2280-9481
Announcements
Call for Papers – Immersive Stories. Virtual Reality, Post-Cinema and Storytelling |
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Edited by Simone Arcagni (Università degli Studi di Palermo) and Adriano D’Aloia (Università degli Studi della Campania “Luigi Vanvitelli”) Deadlines:
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| Posted: 2020-07-30 | More... |
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No 17 (2020)
Table of Contents
Special
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Destabilizing Histories: (Re-)appropriation in Photography and Cinema
Hanin Hannouch
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1-5
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Eduardo Morettin
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7-17
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Maria Gourieva
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19-30
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Juan Carlos Guerrero-Hernández
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31-42
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Mariana Martínez Bonilla
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43-51
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Paola Prestes Penney
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53-72
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Hossein (Hemen) Heidari
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73-85
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Damini Rajendra Kulkarni
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87-96
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Giuseppe Previtali
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97-108
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Cecilia Järdemar
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109-122
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Human Remains and the Limits of Artistic Re-Appropriation in Photography and Film: Interview with Artist Tal Adler and Curator Anna Szöke
Hanin Hannouch
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123-131
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Miscellanea
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Luca Antoniazzi, Luca Barra
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133-146
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Paola Brembilla, Lucio Spaziante
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147-161
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Roberto Cappai
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163-172
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Antoine Prévost-Balga
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173-182
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Reviews
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Fluid Boundaries. 57th New York Film Festival 2019
Angela Dalle Vacche
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183-184
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Un grande individualista a Hollywood. Il cinema di King Vidor. Berlinale 2020. 70°Internationale Filmfestspiele Berlin
Cinzia Cattin
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185-194
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Affetti sonori. Antonio Iannotta, Il cinema audiotattile. Suono e immagine nell’esperienza filmica, Mimesis, Milano-Udine 2017
Simone Dotto
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195-197
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La galassia amatoriale. Dal cinema ai media digitali. Susan Aasman, Annamaria Motrescu-Mayes, Amateur Media and Participatory Cultures: Film, Video, and Digital Media, Routledge, London-NY 2019
Diego Cavallotti
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199-201
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L’omosessualità e il cinema italiano. Mauro Giori, Omosessualità e cinema italiano. Dalla caduta del fascismo agli anni di piombo, UTET Università, Torino 2019
Gabriele Rigola
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203-205
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Un’esplosione di punti di vista. Massimo Scaglioni (ed.), Appassionati dissodatori. Storia e storiografia della televisione in Italia, Vita e Pensiero, Milano 2019
Gianluigi Rossini
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207-209
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Espressione, tecnica, imaging. Barbara Grespi, Figure del corpo. Gesto e immagine in movimento, Meltemi, Milano 2019
Greta Plaitano
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211-213
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