Cinergie – Il Cinema e le altre Arti

Cinergie – ISSN 2280-9481 is an open-access, peer-reviewed, class-A journal. Its first on-line issue first appeared in 2012, but the journal has been published in hard copy since 1999. Cinergie is a wide-ranging film journal, that aims to publish original articles about national and international cinema, building a bridge to related fields.

Cinergie is an open-access, peer-reviewed, class-A journal. Its first on-line issue first appeared in 2012, but the journal has been published in hard copy since 1999. Cinergie is a wide-ranging film journal, that aims to publish original articles about national and international cinema, building a bridge to related fields.
We publish two issues per year, in Summer and in Winter. In each issue, at least half of the essays answer a call for papers, and focus on a single topic.

ISSN 2280-9481

Announcements

 

Call for Papers – Unstable Images and Shifting Histories: Photography, Anthropology, Cinema

 

Edited by Dr. Hanin Hannouch (Kunsthistorisches Insitut in Florenz, Max-Planck-Institut)

Deadlines:

  • Submission of proposals: December 31, 2019
  • Submission of full articles: February 15, 2020
  • Publication: July 2020
 
Posted: 2019-11-08 More...
 

Notice to Readers and Authors

 

Cinergie – il cinema e le altre arti, starting from issue 15, will merge its permanent sections (Under Analysis, Cinema and Visual Arts, Television and New Media Studies, Camera Stylo e Global Film Cultures) into a new single section, named Miscellanea.

The Aims and Scopes of the journal and the submission process remain unchanged, as described in the policies.

 
Posted: 2019-07-16
 
More Announcements...

No 16 (2019)

Table of Contents

The Migrant as an Eye/I. Transculturality, Self-Representation, Audiovisual Practices
Alice Cati, Mariagiulia Grassilli
1-11

Special

Julia Watson
13-25
Raffaele Pavoni
27-38
Laura Busetta
39-50
Federica Stevanin
51-60
Paola Valenti
61-77
Nicola Dusi, Damiano Razzoli
79-93
Samuel Antichi
95-103
Anna Marta Marini
105-114
Samuel Fernández-Pichel
115-124
Valentina Ippolito
125-136

Miscellanea

September Liu
137-149
Cristina Casero
151-162
Giorgio Avezzù
163-180
Massimiliano Studer
181-195
Marco Dalla Gassa, Stefano Pellò
197-205

Reviews

The Electra Complex: Dj Spooky interview with Angela Dalle Vacche
Angela Dalle Vacche
207-210
In conflitto. Osservazioni erranti sul VR al Lazzaretto Vecchio 76. Mostra Internazionale d’Arte Cinematografica di Venezia
Alberto Brodesco
211-213
Cineaste ritrovate a Cinema Rediscovered, Bristol, 25-28 luglio 2019
Chiara Checcaglini
215-216
Redupers o non riduciamo la cineasta (o meglio la donna) a donna. Trent’anni di cinema tedesco al femminile
Cinzia Cattin
217-224
Cartografie identitarie e ansie transnazionali. Áine O’Healy, Migrant Anxieties. Italian Cinema in a Transnational Frame, Bloomington: Indiana University Press 2019
Rossella Catanese
225-228
Massimo Fusillo, L’immaginario polimorfico fra letteratura, teatro e cinema, Cosenza, Luigi Pellegrini Editore, 2018
Giovanna Santaera
229-231
Rianimare il Postmoderno. Luca Malavasi, Postmoderno e cinema. Nuove prospettive di analisi, Carocci, Roma 2017
Mirko Lino
233-235
Il cinema è morto. Evviva il cinema! Daniele Dottorini, La passione del reale. Il documentario o la creazione del mondo, Mimesis, Milano-Udine 2018
Anna Masecchia
237-239