Cinergie – Il Cinema e le altre Arti

Cinergie – ISSN 2280-9481 is an open-access, peer-reviewed, class-A journal. Its first on-line issue first appeared in 2012, but the journal has been published in hard copy since 1999. Cinergie is a wide-ranging film journal, that aims to publish original articles about national and international cinema, building a bridge to related fields.

Cinergie is an open-access, peer-reviewed, class-A journal. Its first on-line issue first appeared in 2012, but the journal has been published in hard copy since 1999. Cinergie is a wide-ranging film journal, that aims to publish original articles about national and international cinema, building a bridge to related fields.
We publish two issues per year, in Summer and in Winter. In each issue, at least half of the essays answer a call for papers, and focus on a single topic.

ISSN 2280-9481

Announcements

 

Call for Papers – Unstable Images and Shifting Histories: Photography, Anthropology, Cinema

 

Edited by Dr. Hanin Hannouch (Kunsthistorisches Insitut in Florenz, Max-Planck-Institut)

Deadlines:

  • Submission of proposals: December 31, 2019
  • Submission of full articles: February 15, 2020
  • Publication: July 2020
 
Posted: 2019-11-08 More...
 

Notice to Readers and Authors

 

Cinergie – il cinema e le altre arti, starting from issue 15, will merge its permanent sections (Under Analysis, Cinema and Visual Arts, Television and New Media Studies, Camera Stylo e Global Film Cultures) into a new single section, named Miscellanea.

The Aims and Scopes of the journal and the submission process remain unchanged, as described in the policies.

 
Posted: 2019-07-16
 
More Announcements...

No 15 (2019)

Table of Contents

Special

Epistolary culture. Correspondence as a form and practice of film criticism
Michele Guerra, Sara Martin
1-3
Gabriele Landrini
5-13
Marco Zilioli
15-29
Jennifer Malvezzi
31-43
Gabriele Rigola
45-53
Paolo Noto
55-67

Miscellanea

Marta Rocchi
69-84
Pasquale Fameli
85-91
Stefano Oddi
93-104
Virgil Darelli
105-114
Alessandro Faccioli
115-127
Emiliano Rossi
129-155
Valentina Domenici
157-164

Reviews

Una nota sulla finzione documentaria. Trento Film Festival. Montagne e culture. 67° edizione. 27 aprile – 5 maggio 2019
Alberto Brodesco
165-166
Primi Solchi. Benedetta Zucconi, Coscienza fonografica. La riflessione sul suono registrato nell’Italia del primo Novecento, Napoli: Orthotes 2018
Simone Dotto
167-169
Sul queer contemporaneo. Sicilia Queer FilmFest 9, 30 maggio-5 giugno 2019
Marco Grifò
171-172
Missione cultura. Riflessioni sulla 65° edizione dell’Internationale Kurzfilmtage Oberhausen, 1-9 maggio 2019
Elena Marcheschi
173-174
Da Venezia 2018 alla stagione successiva. Piccolo bilancio critico
Roy Menarini, Alice Autelitano
175-176
Politiche e narrazioni del corpo sessuale. Sex(t)ualities. Morfologie del corpo tra visioni e narrazioni, Silvia Antosa, Mirko Lino (eds) Mimesis, Milano-Udine 2019
Giuseppe Previtali
177-179
Valentino, Mussolini e la gestione dell’opinione pubblica americana tra le due guerre. Giorgio Bertellini, The Divo and the Duce: Promoting Film Stardom and Political Leadership in 1920s America, University of California Press, 2019 Oakland (CA)
Elisa Uffreduzzi
181-183

Errata

Corrigendum: Riccardo Fassone, Ludo essay e ludofilia: The Beginner’s Guide come ludographic essay
 
185
Corrigendum: Gian Piero Consoli, Tra ironia e torpore: appunti sul cinema di Terrence Malick
 
187