North and Kubrick between Ligeti and Vaughan Williams for the 2001 Soundtrack

Authors

  • Paolo Pinamonti Dipartimento Filosofia e Beni Culturali Università di Ca' Foscari

DOI:

https://doi.org/10.6092/issn.2280-9481/12915

Keywords:

Film Music, Alex North, Ralph Vaughan Williams, Stanley Kubrick

Abstract

The story of the missed collaboration between Alex North and Stanley Kubrick for the soundtrack of the film 2001: A Space Odyssey (1968) is faced, in the light of the recently recorded North score for the film. The score highlights not only the too close analogies of North’s various music cues with the temporary tracks chosen by Kubrick but also their original position in the film; film that has suffered until the last many changes. In this research, an aspect that has not been investigated so far has emerged- that of the relationship between North’s music and that of Vaughan Williams, author of the soundtrack for Charles Frend’s film Scott of Antartic (1948). This film curiously has some similarities with Kubrick’s masterpiece, montage of photographic images with special effects, prevalence in the mixing of ‘natural’ noises over music. Furthermore, the analysis of the soundtrack, made from the composer’s point of view, does not want to question the integrity of the filmic text, but, in the light of more recent studies (Platte, 2018), open a plural perspective.

 

 

 

 

References

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Copland, Aaron (2010 [1949]), “Aaron Copland, in the Film Studio (1949)”. In: The Hollywood Film Music Reader, ed. Mervyn Cooke, 317-326. New York: Oxford University Press. Si tratta della riedizione dei seguenti testi di Copland: “Function of the Movie Musical Score: Try Deleting It and See What Happens to Film’s Emotional Impact, Says Aaron Copland, Noted Composer” in New York Herald Tribune September 4, 1949; e “Tip to moviegoers: Take off those Ear-Muffs”, in The New York Times Magazine», November 6, 1949.

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Milla Massimo (1975), “Prefazione” a: Adorno, Theodor W. and Eisler, Hanns (1975 [1947]): 7-11. La musica per film, Roma: Newton Compton.

Platte, Nathan (2018), Making Music in Selznick’s Hollywood, New York: OUP.

Stollberg, Arne (2018), “Die Stimme der Eissphinx: Pastoralismus und Anti-Pastoralismus in Vaughan Williams’ Sinfonia Antartica sowie der Filmmusik zu Scott of the Antarctic”, in: Ralph Vaughan Williams. Musik-Konzepte, Ed. Ulrich Tadday: 186-205. Munich: Edition Text + Kritik.

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Published

2021-08-04

How to Cite

Pinamonti, P. (2021). North and Kubrick between Ligeti and Vaughan Williams for the 2001 Soundtrack. Cinergie – Il Cinema E Le Altre Arti, 10(19), 217–230. https://doi.org/10.6092/issn.2280-9481/12915

Issue

Section

Miscellanea