No. 19 (2021)

Special

VR Storytelling: Potentials and Limitations of Virtual Reality Narratives

Simone Arcagni, Adriano D'Aloia

1-7
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Tracing Embodied Narrative in VR Experiences

Szilvia Ruszev

9-20
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Between Persuasion and Dissuasion: Narratological Meta-operativity in Augmented Experience Design

Federico Biggio

21-32
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VR Stories of Travel and Exile: Forensic Storytelling and the Politics of Dynamic Framing

Blandine Joret

33-42
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The Problems and Potentials of VR for Documentary Storytelling

Dirk Eitzen

43-55
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Obsolescence, Forgotten: “Survivor Holograms”, Virtual Reality, and the Future of Holocaust Commemoration

Neta Alexander

57-68
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Exploring Stories, Reading Environments: Flow, Immersion, and Presence as Processes of Becoming

Elisabetta Modena, Francesco Parisi

69-82
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Directorial Style for Interactive Storytelling and the Fallacy of Ownership: The Case of Resident Evil 7

Nicolas Bilchi

83-92
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Stage Magic as a Performative Design Principle for VR Storytelling

Christopher Maraffi

93-104
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Traversing the Boundary of the Screen: Contextualizing the Influence of Cinema and Virtual Reality in Artificial Environments

Joseph Fischer

105-120
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Contemporary Art and Virtual Reality: New Conditions of Viewership

Francesco Maria Spampinato, Valentino Catricalà

121-133
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A Journey into Artworks: Storytelling in Augmented Reality and Mixed Reality

Sofia Pirandello

135-145
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Dreamlike Environments: “Story-living” in Virtual Reality Installations

Giancarlo Grossi

147-155
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Turn Your Head and Listen: 360° Audio Between Old Utopias and Market Strategies

Raffaele Pavoni

157-169
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Miscellanea

Living Dead Frogs & Acrobatic Flies: Survivances from the Past in the First Scientific Films

Maria Ida Bernabei

171-189
- HTML (Italiano)
- PDF (Italiano)
The Legal Protection of Contemporary National Film Markets and the Role of Television in the Development of Film Productions in Italy and Brazil

Rodrigo Inacio Freitas

191-200
- HTML (Italiano)
- PDF (Italiano)
Edgar Reitz and Carlo Ginzburg between History and Morphology: Reconstructing the Duplicity of a Transcultural Origin

Guido Ginestra

201-215
- HTML (Italiano)
- PDF (Italiano)
North and Kubrick between Ligeti and Vaughan Williams for the 2001 Soundtrack

Paolo Pinamonti

217-230
- HTML (Italiano)
- PDF (Italiano)
Screenwriters and Multiple Authorship: Preliminary Reflections Across Political Sociology and Film Criticism

Rinaldo Vignati

231-249
- HTML (Italiano)
- PDF (Italiano)

Special

VR Storytelling: Potentials and Limitations of Virtual Reality Narratives

Tracing Embodied Narrative in VR Experiences

Between Persuasion and Dissuasion: Narratological Meta-operativity in Augmented Experience Design

VR Stories of Travel and Exile: Forensic Storytelling and the Politics of Dynamic Framing

The Problems and Potentials of VR for Documentary Storytelling

Obsolescence, Forgotten: “Survivor Holograms”, Virtual Reality, and the Future of Holocaust Commemoration

Exploring Stories, Reading Environments: Flow, Immersion, and Presence as Processes of Becoming

Directorial Style for Interactive Storytelling and the Fallacy of Ownership: The Case of Resident Evil 7

Stage Magic as a Performative Design Principle for VR Storytelling

Traversing the Boundary of the Screen: Contextualizing the Influence of Cinema and Virtual Reality in Artificial Environments

Contemporary Art and Virtual Reality: New Conditions of Viewership

A Journey into Artworks: Storytelling in Augmented Reality and Mixed Reality

Dreamlike Environments: “Story-living” in Virtual Reality Installations

Turn Your Head and Listen: 360° Audio Between Old Utopias and Market Strategies

Miscellanea

Living Dead Frogs & Acrobatic Flies: Survivances from the Past in the First Scientific Films

The Legal Protection of Contemporary National Film Markets and the Role of Television in the Development of Film Productions in Italy and Brazil

Edgar Reitz and Carlo Ginzburg between History and Morphology: Reconstructing the Duplicity of a Transcultural Origin

North and Kubrick between Ligeti and Vaughan Williams for the 2001 Soundtrack

Screenwriters and Multiple Authorship: Preliminary Reflections Across Political Sociology and Film Criticism

Reviews

Where are we now? Simone Arcagni (a cura di), Immersi nel futuro. La Realtà virtuale nuova frontiera del cinema e della tv, Palermo University Press, Palermo 2020

L’esperienza musicale: dislocazioni e prospettive. Alessandro Cecchi (a cura di), La musica fra testo, performance e media. Forme e concetti dell’esperienza musicale, Neoclassica, Roma 2019

Frontiere riscoperte. Leonardo Quaresima (a cura di), Identità, confine. Geografie, modelli, rappresentazioni, Mimesis, Milano-Udine 2021

C’era una volta il piccolo schermo. Luca Barra e Fabio Guarnaccia (a cura di), SuperTele. Come guardare la televisione, Minimum Fax, Roma 2021

Le eterne ragazze di cinema e televisione. Paola De Rosa, Elisa Mandelli, Valentina Re (a cura di), Aging Girls. Identità femminile, sessualità e invecchiamento nella cultura mediale italiana, Meltemi, Milano 2021

In attesa. Due documentari del Trento Film Festival 2021

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