Le leggi protettivi dei mercati cinematografici nazionali contemporanei in Italia e Brasile e il ruolo televisivo nello sviluppo delle loro produzioni

Abstract

This article aims to develop a general overview between two different cinematographic markets (Italian and Brazilian), how both of them have established a legal protection system for their regional audiovisual network from producers to viewers and how the local broadcasters are obliged to finance local productions or even to buy local contents and insert them properly in their transmissions. A protective system has defended by means of law local producers and increased the number of films expanding their media structure to a superior and more solid level. This would not be possible without the TV and streaming services support. Between a combative stance and a profile based on lamentation there are many possibilities to be chosen by artists and producers that can be a prolific path for both whether for experimental and avant-garde filmmakers or for those truly focused on commercial pieces. The development of the laws regarding cultural production especially cinema and TV can put them in a complementary self-fostering field.