A Borrowed Gaze: Antoin Sevruguin’s Photographs in Ivar Lassy’s <em>Behind Lattice and Veil</em> (1917)

Maria Gourieva

doi:10.6092/issn.2280-9481/11283

A Borrowed Gaze: Antoin Sevruguin’s Photographs in Ivar Lassy’s Behind Lattice and Veil (1917)

Autori

Maria Gourieva European University at St. Petersburg
Maria Gourieva (Ph.D.in Cultural Studies, 2010) currently teaches history and theory of photography at the European University in St. Petersburg and State St.-Petersburg Institute for Culture. Her academic interests are private and mass photography and social histories of photographies. Maria is the founder and co-organizer of After Post-Photography, the annual conference in visual studies, history and theory of photography held in St. Petersburg (www.after-post.photography).

DOI:

https://doi.org/10.6092/issn.2280-9481/11283

Parole chiave:

19th century, photography, gender, anthropology, Orientalism

Abstract

The paper analyzes the use of late 19th – early 20th century photographs by Antoin Sevruguin in the paperback edition by Helsinki-based author Ivar Lassy Behind Lattice and Veil (Helsinki, Otago, 1917). Photographer Antoin Sevruguin, originally Russian, lived and worked in Tehran from late 1860s up until his death in 1933. A generalized picture of a Persian woman is among the most common motifs of photographs that had been bought from Sevruguin studio by travelers and researchers alike, and eventually landed in the West. This paper looks closer at the re-contextualization of Sevruguin’s images in Lassy’s book as an example of adaptation of photographs as means of cultural representation by both popular and scientific discourse of the Orient.

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Pubblicato

2020-07-30

Come citare

Gourieva, M. (2020). A Borrowed Gaze: Antoin Sevruguin’s Photographs in Ivar Lassy’s Behind Lattice and Veil (1917). Cinergie – Il Cinema E Le Altre Arti, 9(17), 19–30. https://doi.org/10.6092/issn.2280-9481/11283