No. 17 (2020)

Special

Destabilizing Histories: (Re-)appropriation in Photography and Cinema

Hanin Hannouch

1-5
- HTML
- PDF
Cinema and Colonial Exhibitions: Le Bled (Jean Renoir, 1929) and Its Historical Horizon

Eduardo Morettin

7-17
- HTML
- PDF
A Borrowed Gaze: Antoin Sevruguin’s Photographs in Ivar Lassy’s Behind Lattice and Veil (1917)

Maria Gourieva

19-30
- HTML
- PDF
Runa Islam’s Emergence (2011): Reproducing and Projecting Antoin Sevruguin’s Negative in a Time of Uprisings

Juan Carlos Guerrero-Hernández

31-42
- HTML
- PDF
Re-writing History / Re-constructing Memory: Uses and Re-uses of Archival and Found Footage in Yervant Gianikian and Angela Ricci Lucchi’s Barbaric Land (Pays Barbare, 2013)

Mariana Martínez Bonilla

43-51
- HTML
- PDF
Herbert Duschenes’ Amateur Exilic Films: Cinematic and Social Territories in the Family Film Ronny – 1949-1950

Paola Prestes Penney

53-72
- HTML
- PDF
Archival Re-appropriation and Discontents of Self-cine-identification in Iranian Cinema

Hossein (Hemen) Heidari

73-85
- HTML
- PDF
Appropriation and Articulation: Mapping Movements in Gully Boy

Damini Rajendra Kulkarni

87-96
- HTML
- PDF
This is How We See the War: Counter-narratives of the Conflict in Contemporary Jihadist Visuality

Giuseppe Previtali

97-108
- HTML
- PDF
Les Archives Suédoise: An Intercultural Collaboration Around a Colonial Pile of Glass-plate Negatives

Cecilia Järdemar

109-122
- HTML
- PDF
Human Remains and the Limits of Artistic Re-Appropriation in Photography and Film: Interview with Artist Tal Adler and Curator Anna Szöke

Hanin Hannouch

123-131
- HTML
- PDF

Miscellanea

When a Factual about Borders Crosses the Borders: Italian Distribution, Mediation and Reception of Airport Security/Border Security

Luca Antoniazzi, Luca Barra

133-146
- HTML (Italiano)
- PDF (Italiano)
Challenges of Transgression and New Boundaries of the Visible, from the U.S. to Italy: The Cases of The Deuce and The End of the F***ing World

Paola Brembilla, Lucio Spaziante

147-161
- HTML (Italiano)
- PDF (Italiano)
The Effects of Videogame Musealization on Gameplay Experience

Roberto Cappai

163-172
- HTML (Italiano)
- PDF (Italiano)
“Atomic Explosion Stopped at Millionths of A Second”: Media Microtemporalities and Time Synchronisation

Antoine Prévost-Balga

173-182
- HTML
- PDF

Reviews

Fluid Boundaries. 57th New York Film Festival 2019

Angela Dalle Vacche

183-184
- HTML
- PDF
Un grande individualista a Hollywood. Il cinema di King Vidor. Berlinale 2020. 70°Internationale Filmfestspiele Berlin

Cinzia Cattin

185-194
- HTML (Italiano)
- PDF (Italiano)
Affetti sonori. Antonio Iannotta, Il cinema audiotattile. Suono e immagine nell’esperienza filmica, Mimesis, Milano-Udine 2017

Simone Dotto

195-197
- HTML (Italiano)
- PDF (Italiano)
La galassia amatoriale. Dal cinema ai media digitali. Susan Aasman, Annamaria Motrescu-Mayes, Amateur Media and Participatory Cultures: Film, Video, and Digital Media, Routledge, London-NY 2019

Diego Cavallotti

199-201
- HTML (Italiano)
- PDF (Italiano)
L’omosessualità e il cinema italiano. Mauro Giori, Omosessualità e cinema italiano. Dalla caduta del fascismo agli anni di piombo, UTET Università, Torino 2019

Gabriele Rigola

203-205
- HTML (Italiano)
- PDF (Italiano)
Un’esplosione di punti di vista. Massimo Scaglioni (ed.), Appassionati dissodatori. Storia e storiografia della televisione in Italia, Vita e Pensiero, Milano 2019

Gianluigi Rossini

207-209
- HTML (Italiano)
- PDF (Italiano)
Espressione, tecnica, imaging. Barbara Grespi, Figure del corpo. Gesto e immagine in movimento, Meltemi, Milano 2019

Greta Plaitano

211-213
- HTML (Italiano)
- PDF (Italiano)

Special

Destabilizing Histories: (Re-)appropriation in Photography and Cinema

Cinema and Colonial Exhibitions: Le Bled (Jean Renoir, 1929) and Its Historical Horizon

A Borrowed Gaze: Antoin Sevruguin’s Photographs in Ivar Lassy’s Behind Lattice and Veil (1917)

Runa Islam’s Emergence (2011): Reproducing and Projecting Antoin Sevruguin’s Negative in a Time of Uprisings

Re-writing History / Re-constructing Memory: Uses and Re-uses of Archival and Found Footage in Yervant Gianikian and Angela Ricci Lucchi’s Barbaric Land (Pays Barbare, 2013)

Herbert Duschenes’ Amateur Exilic Films: Cinematic and Social Territories in the Family Film Ronny – 1949-1950

Archival Re-appropriation and Discontents of Self-cine-identification in Iranian Cinema

Appropriation and Articulation: Mapping Movements in Gully Boy

This is How We See the War: Counter-narratives of the Conflict in Contemporary Jihadist Visuality

Les Archives Suédoise: An Intercultural Collaboration Around a Colonial Pile of Glass-plate Negatives

Human Remains and the Limits of Artistic Re-Appropriation in Photography and Film: Interview with Artist Tal Adler and Curator Anna Szöke

Miscellanea

When a Factual about Borders Crosses the Borders: Italian Distribution, Mediation and Reception of Airport Security/Border Security

Challenges of Transgression and New Boundaries of the Visible, from the U.S. to Italy: The Cases of The Deuce and *The End of the F***ing World*

The Effects of Videogame Musealization on Gameplay Experience

“Atomic Explosion Stopped at Millionths of A Second”: Media Microtemporalities and Time Synchronisation

Reviews

Fluid Boundaries. 57th New York Film Festival 2019

Un grande individualista a Hollywood. Il cinema di King Vidor. Berlinale 2020. 70°Internationale Filmfestspiele Berlin

Affetti sonori. Antonio Iannotta, Il cinema audiotattile. Suono e immagine nell’esperienza filmica, Mimesis, Milano-Udine 2017

La galassia amatoriale. Dal cinema ai media digitali. Susan Aasman, Annamaria Motrescu-Mayes, Amateur Media and Participatory Cultures: Film, Video, and Digital Media, Routledge, London-NY 2019

L’omosessualità e il cinema italiano. Mauro Giori, Omosessualità e cinema italiano. Dalla caduta del fascismo agli anni di piombo, UTET Università, Torino 2019

Un’esplosione di punti di vista. Massimo Scaglioni (ed.), Appassionati dissodatori. Storia e storiografia della televisione in Italia, Vita e Pensiero, Milano 2019

Espressione, tecnica, imaging. Barbara Grespi, Figure del corpo. Gesto e immagine in movimento, Meltemi, Milano 2019

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