Sfide della trasgressione e nuovi limiti del visibile, dagli Usa all’Italia: i casi di <em>The Deuce</em> e <em>The End of the F***ing World</em>

Paola Brembilla; Lucio Spaziante

doi:10.6092/issn.2280-9481/10708

Authors

Paola Brembilla Università di Bologna
Paola Brembilla is Senior Assistant Professor at Università di Bologna, Department of the Arts, where she teaches Digital Media and History of Serial Narratives. She mostly works in the field of Media Industry Studies, with a focus on television and on the mutual impact of economics and culture in shaping audiovisual narratives. She authored two books: Game of Strategy (Giappichelli 2015) and It’s All Connected (Franco Angeli 2018). With Ilaria A. De Pascalis, she co-edited Reading Contemporary Serial Television Universes (Routledge 2018).
Lucio Spaziante Università di Bologna
Lucio Spaziante (PhD Semiotics) is Senior Assistant Professor at the Department of Philosophy and Communication Studies of the University of Bologna, where he teaches courses of Media and Semiotics. His research interests are focused on audiovisuals, popular music, media, youth cultures, and the sound/image relationship in the audiovisual language. He is the author of Sociosemiotica del pop (2007), and of Icone pop. Identità e apparenze tra semiotica e musica (2016). He also edited Remix-Remake (with Nicola Dusi, 2006). Among his latest publications: “Textual Innovation of The Audiovisual Language in Fashion Film”, Comunicazioni Sociali, (2017), and he also co-edited with Costantino Maeder a special issue of Versus-VS on sensorial effectiveness (2017).

DOI:

https://doi.org/10.6092/issn.2280-9481/10708

Keywords:

Hbo, Sky Italia, Netflix, National Mediation

Abstract

Focusing on the cases of The Deuce (HBO, 2017-19) and The End of the F***ing World (Netflix, 2018-), the current essay aims, on the one hand, at investigating the treatment of transgression and explicit content in two TV series that, in different ways, challenge the narrative and aesthetic canons of television representation, as well as of cultural and social relevance. On the other hand, it intends to analyse the ways these kinds of representation are mediated by the Italian market, where promotional strategies tend to bend transgression according to elements more appealing to the domestic audience.

Challenges of Transgression and New Boundaries of the Visible, from the U.S. to Italy: The Cases of The Deuce and *The End of the F***ing World*

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Challenges of Transgression and New Boundaries of the Visible, from the U.S. to Italy: The Cases of The Deuce and The End of the F***ing World

Authors

DOI:

Keywords:

Abstract

Downloads

Published

How to Cite

Issue

Section

License

Language

Information

Make a Submission

Current Issue

Challenges of Transgression and New Boundaries of the Visible, from the U.S. to Italy: The Cases of The Deuce and *The End of the F***ing World*