Human Remains and the Limits of Artistic Re-Appropriation in Photography and Film: Interview with Artist Tal Adler and Curator Anna Szöke

Authors

• Hanin Hannouch Kunsthistorisches Institut in Florenz – Max-Planck-Institut
  Dr. Hanin Hannouch is postdoctoral researcher at "4A LAB: Art Histories, Archaeologies, Anthropologies, Aesthetics" at the Kunsthistorisches Institut, Max-Planck Institut studying color photography in the German Empire and its various uses in the sciences and in ethnography. During 2019, she was International Research Fellow at the German Maritime Museum –Leibniz Institute for Maritime History (DSM) where she examined exoticization and colonial revisionism in the interwar photography of Hanns Tschira. Throughout 2018, she was a postdoctoral fellow of the Ethnologisches Museum of the Staatliche Museen zu Berlin, working on Robert Lohmeyer's color photography. In 2017, she received her PhD from IMT Lucca, Scuola Alti Studi with a doctoral thesis on Sergei Eisenstein as an art historian and was a guest researcher at Jacobs University Bremen. She also completed the International Master Program in Art History and Museology (IMKM) at the University of Heidelberg and the Ecole du Louvre (Paris) in 2014, after a first Masters degree and Bachelors in European Art history at the University of Saint-Esprit De Kaslik.