Destabilizing Histories: (Re-)appropriation in Photography and Cinema

Authors

  • Hanin Hannouch Kunsthistorisches Institut, Max-Planck-Institut

DOI:

https://doi.org/10.6092/issn.2280-9481/11271

Keywords:

Unstable Histories, Re-appropriation, Photography, Cinema, inner contradictions

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Published

2020-07-30

How to Cite

Hannouch, H. (2020). Destabilizing Histories: (Re-)appropriation in Photography and Cinema. Cinergie – Il Cinema E Le Altre Arti, 9(17), 1–5. https://doi.org/10.6092/issn.2280-9481/11271

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Section

Special