Dalla citazione al riuso. Alcune pratiche artistiche di marca concettuale negli anni Sessanta e Settanta in Italia

Cristina Casero

doi:10.6092/issn.2280-9481/9760

Dalla citazione al riuso. Alcune pratiche artistiche di marca concettuale negli anni Sessanta e Settanta in Italia

Autori

Cristina Casero University of Parma
Cristina Casero is contemporary art historian and professor of the History of Photography at the University of Parma. His studies were initially focused on the experiences of World War II Italian figurative culture and nineteenth-century Italian sculpture, with particular interest in the production of visual links with the political, social and civil rights of the 'Italy of the time. On this line are the most recent surveys, over the last forty years of the twentieth century, especially dedicated to the photographic image, in its various meanings.

DOI:

https://doi.org/10.6092/issn.2280-9481/9760

Parole chiave:

Appropriation art, Photography, Conceptual Art, Italy, Sixties, Seventies

Abstract

Since the last decades of the twentieth century, appropriation has been one of the main approaches of contemporary artistic research and a well-established practice. The materials of these practices are objects, as well as images and artworks. In Italy, since the end of the 1960s, these practices have emerged within the experiences of conceptual art, aimed at investigating the nature of the image and its characteristics. This essay focuses on some researches that, as case studies, show specific features related to these practices and not to the traditional approach of quotation.

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Pubblicato

2019-12-23

Come citare

Casero, C. (2019). Dalla citazione al riuso. Alcune pratiche artistiche di marca concettuale negli anni Sessanta e Settanta in Italia. Cinergie – Il Cinema E Le Altre Arti, 8(16), 151–162. https://doi.org/10.6092/issn.2280-9481/9760