L’immagine divisa. Eautonomie e dualità dell’immagine in <em>MDLSX</em> di Motus

Fabio Cassano

doi:10.6092/issn.2280-9481/8305

L’immagine divisa. Eautonomie e dualità dell’immagine in MDLSX di Motus

Autori

Fabio Cassano Università degli Studi di Bari "Aldo Moro"
Fabio Cassano is a Phd Student at the Università degli Studi di Bari “Aldo Moro” since 2015. He graduated as Bachelor in 2012 with a thesis in Anglo-American Literature, focused on Jack London's short narrative; he graduated as Master in 2015 with a thesis in History of Cinema about American Experimental Film; both degrees were achieved at the University of Bari. He has written essays for Cinecritica and Athanor. He is also a filmmaker and playwright; in May 2016, one of his dramatic works, entitled Partenogenesi, won the First Prize at the Festival “Il racconto nel Cassetto” in Villaricca (Naples).

DOI:

https://doi.org/10.6092/issn.2280-9481/8305

Parole chiave:

motus, MDLSX, intermediality, audiovisual theatre

Abstract

Theatrical and cinematic media, as it has been demonstrated through a wide range of researches and experimentations, have managed to find a point of contact in the elaboration of different formal settings, and their rediscussion in the latest decades. Here is discussed an inquiry about overall intermediality, focusing on its achievements, aporias and ambiguities; the analysis is helped by an examination of case studies taken from the works of Italian theater group Motus, especially for what concerns the work MDLSX (2015), in order to spot the basic traits of a specific approach to the creation of an intermedial work.

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Pubblicato

2018-07-12

Come citare

Cassano, F. (2018). L’immagine divisa. Eautonomie e dualità dell’immagine in MDLSX di Motus. Cinergie – Il Cinema E Le Altre Arti, 7(13), 121–136. https://doi.org/10.6092/issn.2280-9481/8305