Militanza e passione etnografica nel documentario di Alexander Seiler. Da Siamo italiani (1964) a Il vento di settembre (2002)
Keywords:geography, documentaty, ethnography
AbstractAlexander Seiler is one of the most significant authors in the history of Swiss documentary. This essay explores features and themes of his two films on Italian emigration in the German-speaking Switzerland (Siamo italiani, 1964, and Il vento di settembre, 2002), in which Seiler not only defines its historical background, but also aims to represent an entire social environment and its economic, emotional and moral complexity.
How to Cite
Copyright (c) 2017 Alessandro Marini
The copyrights of all the texts on this journal belong to the respective authors without restrictions.
This journal is licensed under a Creative Commons Attribution 4.0 International License (full legal code).
See also our Open Access Policy.