No. 25 (2024)

Special

Crime Unmasked: Exploring the Morphologies of Italian Giallo through Transnational Influences and Intermedial Hybridization

Arianna Vergari, Giulia Scomazzon

1-7
- HTML (Italiano)
- PDF (Italiano)
Investigation at The Crossroad: Citizens above Suspicion from Turin to Hollywood

Luca Prono

9-26
- HTML (Italiano)
- PDF (Italiano)
Possible Worlds, Real Worlds and Worlds of Fiction in Loriano Macchiavelli’s Detective Stories

Alessandro Perissinotto, Matteo Pollone

27-36
- HTML (Italiano)
- PDF (Italiano)
Her Own Personal Law: A Detective Analysis Between Il processo (2019), Circeo (2022) and La legge di Lidia Poët (2023–)

Sofia Torre

37-48
- HTML (Italiano)
- PDF (Italiano)
The Onomastics and Toponymy of Italian Crime Fiction: Eccentric Female Investigators in Eccentric Locations

Valentina Re

49-72
- HTML (Italiano)
- PDF (Italiano)
Naples Reduced ad absurdum: Sergio Corbucci’s La mazzetta (The Payoff, 1978)

Marco Grosoli

73-81
- HTML
- PDF
Seeking a Face for Crime in 1970s Italy. Intermedia and Transnational Echoes in Piero Chiara’s TV Crime: I giovedì della signora Giulia (1970)

Paola Valentini

83-98
- HTML (Italiano)
- PDF (Italiano)
Media Clues and Surveillance Regimes: Visual and Sound Devices in the Italian Giallo Cinema

Annalisa Pellino, Federico Selvini

99-116
- HTML (Italiano)
- PDF (Italiano)
Mon Semblable, Mon Frère: Identity Needs, Imaginary, and Aesthetics in Marco and Antonio Manetti’s Diabolik Trilogy

Giorgio Busi Rizzi, Lorenzo Di Paola, Rodolfo Dal Canto

117-129
- HTML
- PDF
When Gods Visit the Sins of the Fathers upon their Children: Italian Crime Teen Drama as a Dark Coming-of-Age

Alessia Francesca Casiraghi

131-143
- HTML
- PDF
Killig Me Softly: Representations of the Female Victim’s Body in Italian Crime Film and Television

Arianna Vergari

145-154
- HTML (Italiano)
- PDF (Italiano)

Miscellanea

Feriae Matricularum of Elio Del Piano: from the Vitae Goliardorum to the Institutional Memory of the University

Michela Buttu

155-171
- HTML (Italiano)
- PDF (Italiano)
The New Cinema and the Distribution Dilemma: The Hypothesis of the Pesaro Mostra Internazionale del Cinema Nuovo in the 1965-1967 Conferences

Francesco Dongiovanni

173-189
- HTML (Italiano)
- PDF (Italiano)
Quei quattro dischetti sfiatati. Laura Betti as a Singer and Recording Artist

Jacopo Tomatis

191-206
- HTML (Italiano)
- PDF (Italiano)

Reviews

Voci al centro, fonografia e oltre. Michela Garda (a cura di), La mediazione tecnologica della voce, Neoclassica, Roma 2023

Doriana Legge

207-209
- HTML (Italiano)
- PDF (Italiano)
Suturare la precarietà. Rossella Catanese, Bill Morrison, “Decasia: The State of Decay”. L’alchimia della rovina, DSL Press/Mimesis, Milano/Udine 2023

Denis Lotti

211-213
- HTML (Italiano)
- PDF (Italiano)
Schermare il mondo. Francesco Casetti, Schermare le paure. I media tra proiezione e protezione, Bompiani, Milano 2023

Filippo Giuseppe Grimaldi

215-217
- HTML (Italiano)
- PDF (Italiano)
The Art Revolution Will Be Televised. Francesco Spampinato, Art vs Tv. A Brief History of Contemporary Artists’ Responses to Television, Bloomsbury, New York-London 2022

Paolo Villa

219-221
- HTML (Italiano)
- PDF (Italiano)
An Epiphany of the Real: Rosine Mbakam’s Mambar Pierrette (2023). 61th New York Film Festival

Angela Dalle Vacche

223-226
- HTML
- PDF
“Attanti” intermediali. Jennifer Malvezzi, Flora Pitrolo (a cura di), Taroni-Cividin. Performance, Video, Expanded Cinema (1977–1984) , Silvana Editoriale, Milano 2023

Carolina Guasina

227-229
- HTML (Italiano)
- PDF (Italiano)
Traumi e confetti per la 26° edizione del FEFF

Chiara Lopriore

231-233
- HTML (Italiano)
- PDF (Italiano)

Special

Crime Unmasked: Exploring the Morphologies of Italian Giallo through Transnational Influences and Intermedial Hybridization

Investigation at The Crossroad: Citizens above Suspicion from Turin to Hollywood

Possible Worlds, Real Worlds and Worlds of Fiction in Loriano Macchiavelli’s Detective Stories

Her Own Personal Law: A Detective Analysis Between Il processo (2019), Circeo (2022) and La legge di Lidia Poët (2023–)

The Onomastics and Toponymy of Italian Crime Fiction: Eccentric Female Investigators in Eccentric Locations

Naples Reduced ad absurdum: Sergio Corbucci’s La mazzetta (The Payoff, 1978)

Seeking a Face for Crime in 1970s Italy. Intermedia and Transnational Echoes in Piero Chiara’s TV Crime: I giovedì della signora Giulia (1970)

Media Clues and Surveillance Regimes: Visual and Sound Devices in the Italian Giallo Cinema

Mon Semblable, Mon Frère: Identity Needs, Imaginary, and Aesthetics in Marco and Antonio Manetti’s Diabolik Trilogy

When Gods Visit the Sins of the Fathers upon their Children: Italian Crime Teen Drama as a Dark Coming-of-Age

Killig Me Softly: Representations of the Female Victim’s Body in Italian Crime Film and Television

Miscellanea

Feriae Matricularum of Elio Del Piano: from the Vitae Goliardorum to the Institutional Memory of the University

The New Cinema and the Distribution Dilemma: The Hypothesis of the Pesaro Mostra Internazionale del Cinema Nuovo in the 1965-1967 Conferences

Quei quattro dischetti sfiatati. Laura Betti as a Singer and Recording Artist

Reviews

Voci al centro, fonografia e oltre. Michela Garda (a cura di), La mediazione tecnologica della voce, Neoclassica, Roma 2023

Suturare la precarietà. Rossella Catanese, Bill Morrison, “Decasia: The State of Decay”. L’alchimia della rovina, DSL Press/Mimesis, Milano/Udine 2023

Schermare il mondo. Francesco Casetti, Schermare le paure. I media tra proiezione e protezione, Bompiani, Milano 2023

The Art Revolution Will Be Televised. Francesco Spampinato, Art vs Tv. A Brief History of Contemporary Artists’ Responses to Television, Bloomsbury, New York-London 2022

An Epiphany of the Real: Rosine Mbakam’s Mambar Pierrette (2023). 61th New York Film Festival

“Attanti” intermediali. Jennifer Malvezzi, Flora Pitrolo (a cura di), Taroni-Cividin. Performance, Video, Expanded Cinema (1977–1984) , Silvana Editoriale, Milano 2023

Traumi e confetti per la 26° edizione del FEFF

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