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No. 21 (2022)
No. 21 (2022)
DOI:
https://doi.org/10.6092/issn.2280-9481/v11-n21-2022
Published:
2022-07-14
Special
Actors and the COVID-19 Pandemic in Italy
Cristina Formenti, Luca Antoniazzi, Giulia Francesca Muggeo
1-6
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PDF
“Distant Yet United”: The Redefinition of Actors, Actresses and Celebrities in the Italian Pandemic Television Scenario
Luca Antoniazzi, Luca Barra
7-19
HTML (Italiano)
PDF (Italiano)
“What Am I Doing Here?” Film Festivals, Awards Shows, and Stars During the COVID-19 Emergency
Cristina Formenti, Francesco Pitassio, Sara Sampietro
21-33
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Italian Teen Stars During the Pandemic: a Case Study of
SKAM Italia
's Actors
Maria Elena Alampi
35-51
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PDF
Into His Hands: Luca Argentero between Medical Drama, Personal Branding and Social Engagement
Alberto Scandola
53-62
HTML (Italiano)
PDF (Italiano)
Stand Up for Your Rights! Italian Celebrities and Actors' Struggles during the Pandemic
Giulia Francesca Muggeo, Mariapaola Pierini
63-72
HTML (Italiano)
PDF (Italiano)
Voices Without a Body: Celebrity at the Time of the Pandemic
Sara Pesce
73-84
HTML (Italiano)
PDF (Italiano)
Brand New Social Life: Forms and Practices of Self-Promotion of Italian Teen Celebrities during the Pandemic
Ylenia Caputo
85-101
HTML (Italiano)
PDF (Italiano)
“I Studied Myself All Summer.” Bringing Fashion Home in Covid-19 Times: Alice Pagani as Fashion Icon
Silvia Vacirca
103-121
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PDF (Italiano)
Prove di libertà
: Portray Actors during Lockdown according to Riccardo Ghilardi’s Work
Chiara Borroni
123-135
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PDF (Italiano)
Miscellanea
Realism and Aesthetic-Semiotic Theories Applied to Cinema with a Combination of Live-Action and Animation (1900-1988)
Massimo Bonura
137-147
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PDF (Italiano)
The TV Series
Medici
: Showcasing Brand-Italy through an International Co-Production
Elisa Farinacci
149-162
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The Discovery of the “Third World”: The Programming Policies of the Italian Antifestivals (1960-1976)
Andrea Gelardi
163-177
HTML (Italiano)
PDF (Italiano)
The Rollercoaster of Fear: An Analysis Between Space and Time in the
Resident Evil
Saga
Matteo Genovesi
179-196
HTML (Italiano)
PDF (Italiano)
Distorsions of Authenticity: Grunge According to
MTV Unplugged
Between Performance, Resistance, and Memory
Francesco Rossetti
197-214
HTML (Italiano)
PDF (Italiano)
Reviews
Fotografare la fotografia della realtà. Caterina Martino,
Look over look. Il cuore fotografico del cinema di Stanley Kubrick
, Mimesis, Milano – Udine 2021
Filippo Giuseppe Grimaldi
215-217
HTML (Italiano)
PDF (Italiano)
La morte corre sullo schermo. Giuseppe Previtali,
L’ultimo tabù. Filmare la morte fra spettacolarizzazione e politica dello sguardo
, Meltemi, Milano 2020
Mirko Lino
219-221
HTML (Italiano)
PDF (Italiano)
An ‘Imagined Conversation’ with Italian Neorealism. Charles L. Leavitt IV,
Italian Neorealism. A Cultural History
, Toronto University Press, Toronto 2020
Sergio Rigoletto
223-226
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PDF
Divi e quasi divi nella paleotelevisione italiana. Giulia Muggeo,
Star Domestiche. Le origini del divismo televisivo in Italia
, Kaplan, Torino 2021
Gianluigi Rossini
227-229
HTML (Italiano)
PDF (Italiano)
Riflessioni e rifrazioni della mascolinità. Angela Bianca Saponari, Federico Zecca (a cura di),
Oltre l’inetto. Rappresentazioni plurali della mascolinità nel cinema italiano
, Meltemi, Milano 2021
Chiara Tognolotti
231-233
HTML (Italiano)
PDF (Italiano)
La poetica dello spazio balneare. Christian Uva,
L’ultima spiaggia. Rive e derive del cinema italiano
, Marsilio, Venezia 2021
Martina Vita
235-237
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Cronache familiari post-pandemiche. 72° edizione del Festival del Cinema di Berlino
Cinzia Cattin
239-244
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