“A Public Service Through a Private TV”: Tracing Multidimensional Approaches to Researching Italian Local Television Through the History of TeleRoma56
DOI:
https://doi.org/10.60923/issn.2280-9481/22310Keywords:
Broadcasting privatization, Italian Radical Party, Italian TV, Roman local TVs, Television archivesAbstract
The (scarce) historiography on the history of Italy’s local televisions has largely outlined an adventurous story, often based on anecdotes and hearsay, and predominantly underscoring their evolution from being “free” TV stations to becoming private broadcasters. Whereas both RAI and Mediaset have actively engaged in efforts to systematize their archival collections, the possibility of undertaking an in-depth reconstruction of the history of Italy’s hundreds of local TVs is cut short by the lack of reliable sources and limited access to archival resources. The present article moves from these considerations with a dual intention: to complicate common understandings on the commercial evolution of Italy’s private television in the course of the 1980s; to propose a multidimensional approach to researching Italy’s local TV, combining a variegated ensemble of oral sources, audiovisual material, specialized TV magazines and national newspapers, public and private documents, as well as commercial and political archives. To these ends, the article focuses on the case-study provided by TeleRoma56, that is Rome’s first over-the-air TV station. During the 1980s, TeleRoma56 was owned by the Radical Party, consequently operating as a sort of “hybrid” local TV, combining its commercial exigencies with enduring instances of bottom-up political engagement. As a result, its story challenges any linear or easy interpretation of the progressive commercialization of Italian local TV, encouraging to look for unexplored historical trajectories and archival research pathways.
References
Barca, Flavia (2007). Le tv invisibili. Storia ed economia del settore televisivo locale in Italia. Roma: Rai Libri.
Baron, Jaimie (2013). The Archive Effect. Found Footage and the Audiovisual Experience of History. Abingdon and New York: Routledge. https://doi.org/10.4324/9780203066935
Barra, Luca and Christoph Classen, and Sonja De Leeuw, eds. (2017). “History of Private and Commercial Television in Europe.” VIEW. Journal of European Television History and Culture 6(11). https://doi.org/10.18146/2213-0969.2017.jethc118
Barra, Luca and Riccardo Fassone (2025). “Una questione locale. Televisioni private, storia della televisione e storia dei media.” Imago. Studi di cinema e media 15(29): 101–114.
Barra, Luca and Cecilia Penati (2013). “Catch-up con gli archivi. Digitale terrestre e patrimonio Rai.” In Storie e culture della televisione italiana, a cura di Aldo Grasso, 56–71. Milano: Mondadori.
Barra, Luca and Massimo Scaglioni (2019). “La storia che si ripete. Alcune note sugli archivi della televisione.” In Appassionati dissodatori. Storia e storiografia della televisione in Italia, a cura di Massimo Scaglioni, 29–45. Milano: Vita e Pensiero.
Barra, Luca and Massimo Scaglioni, eds. (2013). “Moving at Different Speeds. The Commercialization of TV Systems in Europe and Its Consequences.” Comunicazioni sociali 35(1).
Blasi, Felice. “Prefazione. Libertà d’archivio.” In Il racconto della Puglia negli anni Ottanta. La riforma Rai-tv tra pubblico e privato, a cura di Anna Gervasio and Raffaele Pellegrino, 9–21. Bari: Edizioni dal Sud.
Bourdon, Jérôme (2001). “Modelli americani alle origini delle televisioni europee: Un primo passo verso la ‘cultura globale’?” Contemporanea 1: 47–68.
Bratslavsky, Lauren and Elizabeth Peterson (2025) (eds). The Archivability of Television. Essays of Preservation and Perseverance. Athens: The University of Georgia Press.
Callahan, Sara (2002). Art + Archive: Understanding the Archival Turn in Contemporary Art. Manchester: Manchester University Press.
De Leeuw, Sonja (2012). “European Television History Online: History and Challenges.” VIEW. Journal of European Television History and Culture 1(1): 3–11. https://doi.org/10.18146/2213-0969.2012.jethc002
Dotto, Giancarlo e Sandro Piccinini (2006). Il mucchio selvaggio. La strabiliante, epica, inverosimile ma vera storia della televisione locale in Italia. Milano: Milano.
Fiamma, Andrea (2025). “Fare l’archeologo della TV.” Link – Idee per la TV. https://www.linkideeperlatv.it/fare-larcheologo-della-tv/ (last accessed 15-09-25).
Garde-Hansen, Joanne, Andrew Hoskins, and Anna Reading, eds. (2009). Save As… Digital Memories. London: Palgrave Macmillan. https://doi.org/10.1057/9780230239418
Grasso, Aldo (2004). Il Bel Paese della tv. Viaggio nell’Italia delle emittenti locali. Milano: Corriere della Sera.
Grasso, Aldo (2006). La tv del sommerso. Viaggio nell’Italia delle tv locali. Milano: Mondadori.
Grasso, Aldo (2020). La storia pubblica. Memoria, fonti audiovisive e archivi digitali. Milano: Vita e Pensiero.
Hagedoorn, Berber (2013). “Television as a Hybrid Repertoire of Memory: New Dynamic Practices of Cultural Memory in the Multi-Platform Era.” VIEW Journal of European Television History and Culture 2(3). https://doi.org/10.18146/2213-0969.2013.jethc032
Hagedoorn, Berber and Bas Agterberg (2016). “The End of the Television Archive as We Know It? The National Archive as an Agent of Historical Knowledge in the Convergence Era.” Media and Communication 4(3): 162–175. https://doi.org/10.17645/mac.v4i3.595
Harrison, Rodney (2021). “Heritage Practices as Future Making Practices.” In Cultural Heritage and the Future, edited by Cornelius Holtorf and Anders Högberg, 29–45. Abingdon and New York: Routledge. https://doi.org/10.4324/9781315644615-2
Hesmondhalgh, David and Amanda D. Lotz (2020). “Video Screen Interfaces as New Sites of Media Circulation Power.” International Journal of Communication 14: 386–409.
Holdsworth, Amy (2011). Television, Memory and Nostalgia. London: Palgrave Macmillan. https://doi.org/10.1057/9780230347977
Kelly, John Paul (2021). “‘This Title Is No Longer Available’: Preserving Television in the Streaming Age.” Television & New Media 23(1): 3–21. https://doi.org/10.1177/1527476420928480
Mbembe, Achille (2002). “The Power of the Archive and its Limits.” In Refiguring the Archive, edited by Carolyn Hamilton, Verne Harris, Jane Taylor, Michele Pickover, Graeme Reid, Razia Saleh. Dordrecht: Springer.
Nelson, Robin and Lez Cooke (2012). “Television Archives: Accessing TV History.” Critical Studies in Television 5(2): xvii–xix. https://doi.org/10.7227/CST.5.2.2
Ortoleva, Peppino (1995). Un ventennio a colori. Televisione privata e società in Italia (1975–1995). Firenze: Giunti.
Re, Valentina (2024). “Curation, Algorithmic ‘Caregiving’ and Collective Archival Practices. Rethinking the Archival Work of Culture in Streaming Media.” VIEW Journal of European Television History and Culture 13(26): 12–30. https://doi.org/10.18146/view.330
Sangiovanni, Andrea (2013). “Da libere a private. Sulla nascita della televisione commerciale in Italia.” Comunicazioni sociali 35(1): 68–78.
Scaglioni, Massimo (2006). “L’immagine come fonte, come evento, come memoria. Questioni e problemi nel rapporto fra televisione e storia.” In Fare storia con la televisione, a cura di Aldo Grasso. Milano: Vita e Pensiero.
Scaramucci, Barbara e Guido Del Pino (2006). Come si documenta la tv. Roma: Rai Eri.
Sullivan, Annie Laurie and Lauren Herold (2025) (eds). Local TV. Histories, Communities, and Aesthetics. Athens: University of Georgia Press.
Taurino, Giulia and Georgia Aitaki (2024). “Television in and After the Archive: Catalogues, Databases, Interfaces and Other Ways to Organize Audiovisual Records.” VIEW Journal of European Television History and Culture 13(26): 1–11. https://doi.org/10.18146/view.353
Van Dijck, José (2007). Mediated Memories in the Digital Age. Redwood City: Stanford University Press. https://doi.org/10.1515/9780804779517
Williams, Raymond (1974). Television: Technology and Cultural Form. London: Fontana.
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Giulia Crisanti

This work is licensed under a Creative Commons Attribution 4.0 International License.