No. 16 (2019)

DOI: https://doi.org/10.6092/issn.2280-9481/v8-n16-2019

Published: 2019-12-23

The Migrant as an Eye/I. Transculturality, Self-Representation, Audiovisual Practices

Alice Cati, Mariagiulia Grassilli

1-11
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Special

Manthia Diawara’s Strategic Ruminations on Migration and the Conundrums of Cinematic Autoethnography

Julia Watson

13-25
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Against a Migrant Cinema. Critical Reflections on the Postcolonial Perspective

Raffaele Pavoni

27-38
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Self-Representation as a Marginal Subject: Identity, Displacement and Identification between Cinema and Visual Arts

Laura Busetta

39-50
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Travelling Identities: Paulo Nazareth's Works on the Migratory Routes

Federica Stevanin

51-60
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“Identity is an endless, ever-unfinished conversation”: Stuart Hall's Legacy and the Polyphonic Memories of the Black Diaspora in John Akomfrah's Works

Paola Valenti

61-77
- HTML (Italiano)
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Experiencing the Presence: Degrees of Closeness in the Digital Biographies of Migration

Nicola Dusi, Damiano Razzoli

79-93
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A Counter Migrant Image: Between Self-Representation and Witnessing in Les Sauteurs (2016)

Samuel Antichi

95-103
- HTML (Italiano)
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Ni de aquí ni de allá: the Dreamers’ Audiovisual Self-Narration and Representation

Anna Marta Marini

105-114
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She-Stranger in Paradise: Transnational Gendered Imaginaries in Kurdwin Ayub's Paradise! Paradise! (Paradies! Paradies!, 2016)

Samuel Fernández-Pichel

115-124
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Io Rom romantica: The Discovery of the True Self in Laura Halilovic’s Accented Cinema

Valentina Ippolito

125-136
- HTML (Italiano)
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Miscellanea

Epitome, Legitimation, and Reproduction: Nostalgia and Grand History in Two Chinese Melodramatic Films

September Liu

137-149
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From Quotation to Appropriation. Conceptual Practices in the 1960s and 1970s in Italy

Cristina Casero

151-162
- HTML (Italiano)
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The Regional Success of Italian TV Series: Generalist TV Titles in the Years 2016-2018

Giorgio Avezzù

163-180
- HTML (Italiano)
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Welles Exploring New Hollywood Production Opportunities: Sex and Nudity in The Other Side of the Wind

Massimiliano Studer

181-195
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Des portes sans clés. Des clés sans portes. Abbas Kiarostami et la promesse du passage

Marco Dalla Gassa, Stefano Pellò

197-205
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Reviews

The Electra Complex: Dj Spooky interview with Angela Dalle Vacche

Angela Dalle Vacche

207-210
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In conflitto. Osservazioni erranti sul VR al Lazzaretto Vecchio 76. Mostra Internazionale d’Arte Cinematografica di Venezia

Alberto Brodesco

211-213
- HTML (Italiano)
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Cineaste ritrovate a Cinema Rediscovered, Bristol, 25-28 luglio 2019

Chiara Checcaglini

215-216
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Redupers o non riduciamo la cineasta (o meglio la donna) a donna. Trent’anni di cinema tedesco al femminile

Cinzia Cattin

217-224
- HTML (Italiano)
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Cartografie identitarie e ansie transnazionali. Áine O’Healy, Migrant Anxieties. Italian Cinema in a Transnational Frame, Bloomington: Indiana University Press 2019

Rossella Catanese

225-228
- HTML (Italiano)
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Massimo Fusillo, L’immaginario polimorfico fra letteratura, teatro e cinema, Cosenza, Luigi Pellegrini Editore, 2018

Giovanna Santaera

229-231
- HTML (Italiano)
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Rianimare il Postmoderno. Luca Malavasi, Postmoderno e cinema. Nuove prospettive di analisi, Carocci, Roma 2017

Mirko Lino

233-235
- HTML (Italiano)
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Il cinema è morto. Evviva il cinema! Daniele Dottorini, La passione del reale. Il documentario o la creazione del mondo, Mimesis, Milano-Udine 2018

Anna Masecchia

237-239
- HTML (Italiano)
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