Pellicole in transizione: il cinema privato come testo aperto e dispositivo della memoria

Authors

  • Paolo Simoni Associazione Home Movies-Bologna

DOI:

https://doi.org/10.6092/issn.2280-9481/6902

Keywords:

home movie, Eros Parmeggiani, Bologna

Abstract

The paper analyses the multiple ways of re-appropriation and rewriting of amateur footage, actions significantly able to turn the original private materials into powerful collective memory-making devices. The Archive – and the multidisciplinary stages of the archival treatment – plays a key-role in this remediation process, giving a new and unexpected life to home movies, in constant transition through their re-use in different contexts, as in the experience here described, an 8mm camera-car by Eros Parmeggiani, filmed in 1969 along the nearly inaugurated beltway north of Bologna.

Published

2015-11-01

How to Cite

Simoni, P. (2015). Pellicole in transizione: il cinema privato come testo aperto e dispositivo della memoria. Cinergie – Il Cinema E Le Altre Arti, 4(8), 23–31. https://doi.org/10.6092/issn.2280-9481/6902

Issue

Section

Special