Cinergie – Il cinema e le altre arti. N.18 (2020)
ISSN 2280-9481

Corrigendum: Paola Brembilla, Lucio Spaziante, Sfide della trasgressione e nuovi limiti del visibile, dagli Usa all’Italia: i casi di The Deuce e The End of the F***ing World

Paola BrembillaUniversità di Bologna (IT)

Paola Brembilla is Senior Assistant Professor at Università di Bologna, Department of the Arts, where she teaches Digital Media and History of Serial Narratives. She mostly works in the field of Media Industry Studies, with a focus on television and on the mutual impact of economics and culture in shaping audiovisual narratives. She authored two books: Game of Strategy (Giappichelli 2015) and It’s All Connected (Franco Angeli 2018). With Ilaria A. De Pascalis, she co-edited Reading Contemporary Serial Television Universes (Routledge 2018).

Lucio SpazianteUniversità di Bologna (IT)

Lucio Spaziante (PhD Semiotics) is Senior Assistant Professor at the Department of Philosophy and Communication Studies of the University of Bologna, where he teaches courses of Media and Semiotics. His research interests are focused on audiovisuals, popular music, media, youth cultures, and the sound/image relationship in the audiovisual language. He is the author of Sociosemiotica del pop (2007), and of Icone pop. Identità e apparenze tra semiotica e musica (2016). He also edited Remix-Remake (with Nicola Dusi, 2006). Among his latest publications: “Textual Innovation of The Audiovisual Language in Fashion Film”, Comunicazioni Sociali, (2017), and he also co-edited with Costantino Maeder a special issue of Versus-VS on sensorial effectiveness (2017).

Pubblicato: 2020-12-28

Corrigendum: Paola Brembilla, Lucio Spaziante, Challenges of Transgression and New Boundaries of the Visible, from the U.S. to Italy: The Cases of The Deuce and The End of the F***ing World

Nel numero 17 (2020) della rivista, nel saggio di Paola Brembilla e Lucio Spaziante Sfide della trasgressione e nuovi limiti del visibile, dagli Usa all’Italia: i casi di The Deuce e The End of the F***ing World (https://doi.org/10.6092/issn.2280-9481/10708), si segnala che il lavoro si colloca all’interno del progetto di ricerca “Distribuzione, adattamento, circolazione. Un modello industriale e culturale della televisione anglofona in Italia (DAC)”, finanziato dall’Università di Bologna nel quadro del bando AlmaIdea 2017 (2018-2020, P.I. Luca Barra).

L’articolo originale è stato integrato in data 2020-08-31.